20 Global Problems, 20 Years to Solve Them

20 Global Problems, 20 Years to Solve Them, by Jean Francois Rischard, provides some great epic points of departure for immersion and for students to find genuine problems on their doorstep - or on the other side of the world - that they can go off and ideate around. Buy a copy here to see how Rischard would solve 'em ;-)
  • Global warming
  • Biodiversity and ecosystem losses
  • Fisheries depletion
  • Deforestation
  • Water deficits
  • Maritime safety and pollution
  • Massive step-up in the fight against poverty
  • Peacekeeping, conflict prevention, combating terrorism
  • Education for all
  • Global infectious diseases
  • Digital divide
  • Natural disaster prevention and mitigation
  • Reinventing taxation for the twenty-first century
  • Biotechnology rules
  • Global financial architecture
  • Illegal drugs
  • Trade, investment, and competition rules
  • Intellectual property rights
  • E-commerce rules
  • International labor and migration rules

Creating a Culture of Innovation in Schools

When asked about the principles behind Facebook's success Mark Zuckerberg outlined some of the key points about their approach to innovation:

Focus on Impact

If we want to have the biggest impact, the best way to do this is to make sure we always focus on solving the most important problems. It sounds simple, but we think most companies do this poorly and waste a lot of time. We expect everyone at Facebook to be good at finding the biggest problems to work on.

Move Fast

Moving fast enables us to build more things and learn faster. However, as most companies grow, they slow down too much because they're more afraid of making mistakes than they are of losing opportunities by moving too slowly. We have a saying: "Move fast and break things." The idea is that if you never break anything, you're probably not moving fast enough.

Be Bold

Building great things means taking risks. This can be scary and prevents most companies from doing the bold things they should. However, in a world that's changing so quickly, you're guaranteed to fail if you don't take any risks. We have another saying: "The riskiest thing is to take no risks." We encourage everyone to make bold decisions, even if that means being wrong some of the time.

Be Open

We believe that a more open world is a better world because people with more information can make better decisions and have a greater impact. That goes for running our company as well. We work hard to make sure everyone at Facebook has access to as much information as possible about every part of the company so they can make the best decisions and have the greatest impact.

Build Social Value

Once again, Facebook exists to make the world more open and connected, and not just to build a company. We expect everyone at Facebook to focus every day on how to build real value for the world in everything they do.

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What are the necessary pre-conditions to creating a culture of innovation in schools?

3MD Update- Project and Evernote

We are now four weeks into our new approach, using design thinking, to organise project. We have had many discussions, while in the Immersion stage, which has inspired me to think about the title from new perspectives. The children have shared their thoughts about themes such as poverty, why people might riot, where is it possible to live (places in the world and different types of landscapes) and all children have been able to sustain and add their point of view. Most of the teacher input has been to take one aspect explored on 'The Wall' and use this to spark thoughts and feelings. Children have been sketching and selecting facts, via homework, to explain an idea that they have.

The whole experience has been very interesting, from a teachers point of view because I am not always sure about where, points raised, might head. Children can quite quickly go off in a different direction and so I have found it always important to keep refering back to the project title. It has amazed me how creative my children have become and how effectively they manage to explain themselves. It has felt really good going through the process with them and they have realised that I am not going to give them answers.

This week I started to link Evernote and project together. I decided that I would insist everyone create a note which would explore the idea of setting themselves a target in relation to an aspect of project. I felt that the children were struggling with the notion of target/ goal setting and so we spent some time talking about what that might look like: I want to find 3 pictures to add to the wall by the end of the week or I want to take someones question and answer it. We also talked about how goals could help us to reach success and by making them known to others increase the possibility of reaching a conclusion. The children then wrote a paper Evernote and they are visible in the classroom. I hope that this will help the children to become more comfortable with goal setting.

Another thing we (year 3) wanted to explore was what if felt like to be in cramped conditions. As we are unable to provide a school trip during the London rush hour we decided to put all the year 3 children (3 classes) into one classroom for the afternoon. We provided lots of opportunity for children to talk about the different people who live and work in London. We asked the children to move around the space without touching each other and move to new seating positions- some having to sit on the floor. Fnally at the end of the session we asked them to think about what it felt like to work in those conditions- not being able to sit where you want, sit with new people, the heat, the noise etc. Tomorrow we are going to ask the children to reflect on that experience and hopefully respond thoughtfully to the idea of crowds and space.

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Notes of a conversation on Project Based Learning with Meshendia Dampier by Kate Atkins

Meshehdia and I spent a morning sharing and discussing our approach to PBL using a ‘Design Thinking’ model introduced to us by Tom Barrett, with children in Y3 & 6.  We were trying to put our thoughts and experiences together to try and come up with a useable model for teachers to use throughout the year and across the school.

I should point out that there are some essential differences in our circumstances, apart from the age of the children.  I teach Y6 for one afternoon per week and the rest of their learning is more traditional, although they are seated in Kagan teams and they are used to running projects, albeit ones that are much more teacher controlled.  Meshendia teaches her class full time and these children have been learning using Negotiated Learning for 2 years.

In this post I will only be able to discuss, in any great detail, my planning and execution experiences so far.

 

Initial Idea

Both of us started this process with an idea of which area/s of the curriculum we wanted to explore.  Mesh wanted the children to have some learning experiences around Geography as they were missing coverage in this area, whilst I wanted the children to think about sustainability and how that links with Science, Geography and DT.

Mesh developed her initial idea through a conversation with Tom, who used some key questions to challenge her thinking

                Does it pass the “So what?” test?

                Is it epic and big scale, not tiny and ‘fake’?

                Does it cover more than just one curriculum subject or topic, or have four or more ways of solving it?

                Does it spark natural curiosity?

                Is there enough potential material in which learners can immerse themselves?

Can it be made accessible, feasible to access for every learner?

 

They then came up with a title for the project - London is Full.  Evacuate, which became her initial starting point.  My journey to this point was different in that I was inspired by a trip to the North West coast of Scotland, which generated images rather than a title.

 

Immersion

To immersion the children I was working with, I created a series of visual and audio images, including clips from TV programmes, montages from YouTube, photographs, web sites.  There was no title given to the project but every image had the wind as its central idea.  After this, the children were then allowed to explore further any ideas that had captured their interest.  I know that Meshendia’s Immersion period was a lot longer.  I felt that as I only see the children once a week, I needed to concertina this phase a bit so that the children didn’t lose momentum.  I realise that the disadvantage of this is that the children have less time to explore and develop ideas.

 

Synthesis/Project Brief

It is at this point that the children start to pull together their ideas to create a line of enquiry or Project Brief.  During her discussions with Tom Barrett, Meshendia had talked about the need to ‘keep this epic’ and meet the criteria mentioned above. 

I organised a format for the children, to structure their project brief, which asked them to think about

·      A wish list for learning

·      The outcome of their project

·      The audience for the final outcome

·      How their outcome will be used

·      A maximum of 6 learning outcomes for their project

Having written the brief, the children worked together in their groups to create a ‘Project Pitch’, which had to include visuals and an oral description/explanation of their project.

 

First Evaluation Phase

The children then had to pitch their project to the rest of the class for evaluation.  I structured this session with Kagan Cooperative Learning structures to ensure engagement and participation.  All children in the group had to be ready to pitch as they did not know who was going to be selected.  Once one child was selected I used ‘One Stray’ to facilitate them pitching their idea to all the other groups.  They had 2 minutes with each group and we had talked about the criteria and thought about good coaching questions should the pitch not last the full 2 minutes.  After that we used ‘Carousel Feedback’ so that each group received written feedback about their pitch.  After this each group had some time to redefine, change or abandon their project as a result of the feedback.

Three groups abandoned their projects as they felt that what they had decided on was unachievable or didn’t make sense or had no purpose.  They went back to the Immersion Phase during the next lesson, whilst the other groups moved on.

 

Prototype

The following session saw all the children who were ready, move on to creating a prototype.  Tom and Mesh had discussed the importance of this being a paper prototype so that it wouldn’t be difficult to ‘screw it up and throw it away’ after it had been evaluated.

 

Second Evaluation Phase

Next week we will evaluate the prototypes as a class.  Again using mainly peer to peer evaluation and using Kagan structures.  After this the groups will need to write a timetable for their project, think about what support they will need and cost and source resources.

 

Meshendia and I discussed the need to ensure that there is a proper evaluation at the end of the project that involves peers and the target audience.  This needs to be built into the project timeline so that the children can think about how they will know if their product has been useful to their target audience, which will also ensure that the children will know when their project is finished.

 

More to follow as we move on!

Collaboration = Good ?

Collaboration is important but really small teams work best at the beginning of an idea. Electronic means shouldn't lead to more and more people but rather more diverse people collaborating. Interdependent teams are a better way of working to get the best out of each idea.

There are some useful provocations about the distinction between cooperative learning and collaboration in this post:

College Readiness: Learning Collaboratively | Edutopia http://bit.ly/xALR7q

When is collaboration a good structure to use with students? What conditions make it most effective? How has your work with Kagan (and your most recent coaching) changed the way you think of collaboration in the classroom?

Immersion & research using social bookmarking

Hi all, we are really excited to be supporting you as you develop some fresh approaches to teaching an enquiry-based, problem finding curriculum at Rosendale. As you consider ideas that you'd like to pursue, probably the most empowering way to explore themes, topics, resources and ideas from other people is to raid the bookmarks, or favourites, of someone you know. Tom and I put all of our discoveries online, as we find them, and you can begin to browse them at either:

http://delicious.com/ewan.mcintosh/

or

http://delicious.com/tbarrett/

When faced with thousands of links, knowing how to harness the 'tags' others give their links is vital. In my account (http://delicious.com/ewan.mcintosh/) I use certain key tags that will be useful perhaps as starting points for developing "Big Question" ideas. All you have to do is get the basic web address loaded up and then find the tag on the right-hand side of the page or manually type it in after the address (e.g. 'environment' links can be found at http://delicious.com/ewan.mcintosh/environment).

Others worth considering might be:

  • designthinking
  • media
  • journalism
  • creativity
  • mobile
  • data
  • design (how might you use this to stimulate thinking around design, provoke ideas around problem finding/solving?)
  • building_schools (if you're in a new building, how you might harness physical space even better)
  • new_tech_in_practice (the one I use for interesting technology use I see in classrooms, happening now)
  • animation
  • filmmaking
  • digitalstorytelling
  • gaming
  • assessment
  • formative_assessment
  • environment
  • history
  • geography
  • (there are plenty other subject areas under the tag group "Curriculum", on the right hand side of the page http://delicious.com/ewan.mcintosh/)

Do you share your own resources and finds of the web on delicious or Diigo, another social bookmarking site? Leave your web address in the comments.

TASK:

Spend 20 minutes this week on a resource hunt through either Tom's and/or my links on delicious

  • What are the most compelling things you find from initially using my and Tom's links?
  • And what other people in our network have you discovered who are proving useful to you?

How, what and when do you assess in the Immersion stage?

Peta_schoenwald
I just left this as a rather long comment on the post from Peta, one of our Brisbane educators who has started to think about Design Thinking about the same time as you. She was wondering what, when and how to assess during the immersion phase of a project (http://bbccdesign.posterous.com/immersing-we-will-go). Her immersion sounds fab, so how to make sure that 'stuff' is going in?

Immersion is really the first bathe in content, and shouldn't really be assessed by you at all. However, some good self assessing by students would work well. Here are some ideas:
// Traffic lights:
Students have to say which content they feel really comfortable with (green), tricky and needing to dive deeper into (amber) and totally lost in (red). Working in pairs, they should discuss why each is the case. It might sound a bit pointless, going around the houses, but it's vital. Think about the time you've practiced a piece of music and hit a hard part. A young learner tends to muddy through it until they get to the part they're more comfortable with (the chorus, normally) while a musician will practice those four measures for days, until they're perfect. This is because they know what the hard parts are, and they practice them until they move from red to amber to green.

Try to make it that every learning session, particularly in immersion, marks a movement from Red To Amber, Amber to Green, Green to a...

// Done Wall
Why not start the process of synthesis by inviting youngsters to put what they feel is 'green' in a new immersion wall. The goal is for the class, in a limited period of time, to work collaboratively to move everything onto the 'Green' wall. As they do this, as every item is moved over, the whole class stops for a mini conference, a minute or two long, as the kiddo explains how they've discovered what they've discovered - how they moved from red to amber, amber to green.
The notion of a "Done Wall" like this is hugely satisfying for anyone, not just kids, and it's stolen straight from the creative industries. My colleague Tom wrote this about them:

Taken from 13 Rules for Realising Your Creative Vision (http://www.fastcodesign.com/1665527/infographic-of-the-day-13-rules-for-realizing-your-creative-vision) my favourite being that:
10. Failure counts as done. So do mistakes.
"These maxims are really a super concise and clear way of restating one of the founding tenets of so-called design thinking: The idea of creating prototypes as soon as you can, and failing as fast as possible so you can evolve your way to something great. "

5280891f-7056-4eaf-a509-8927b1
There you go - two ideas that you could try out tomorrow. Can you let us know how you get on with it? Ideally this moves you swiftly onto synthesis, pulling all those understood concepts together into related clusters.

Good checklist for generative topics

It can be time consuming creating the generative topic at the beginning of a design thinking unit - we have found this checklist to be really useful at this phase and as the topic title develops. Use it to check off against different versions of your topic title. Think about the order of your words and punctuation, all of these small edits can have a large impact on how the topic is presented. 
  • Does it pass the “So what?” test?
  • Is it epic and big scale, not tiny and ‘fake’?
  • Does it cover more than just one curriculum subject or topic, or have four or more ways of solving it?
  • Does it spark natural curiosity?
  • Is there enough potential material in which learners can immerse themselves?
  • Can it be made accessible, feasible to access for every learner?
These questions can be used to help structure scrutiny with the class as they try to establish their own line of enquiry too.
Posterous theme by Cory Watilo